Enter

The Allure of

Arjuna’s Cave

of Impressions  

“Family” | 2022 | Ink & Acrylic Pen on Paper | 14” x 16”

                                                   “Entering the Cave unravels through the beguiling treachery of Arjuna Gunarathne’s astounding oeuvre as an aesthetic seduction cloaked in chromatic reverie. At first glance, the saccharine allure of his palette lures the viewer like the gentle glimmer at the mouth of an unknown grotto veiled in deceptive sweetness echoing the trompe-l'œil of safety. Yet this is no innocent dalliance as the descent is inexorable. The benign innocence of surface shadows swiftly disappears, revealing itself as a labyrinthine immersion of complex structure sutured in with a subtle chiaroscuro - à la certain precision drawn by the steady hands of a master miniature painter - wherein tenebroso, colour and figure made to coalesce in rhythmic dissonance. Arjuna’s visceral application of pigment upon many hidden layers of experimentation renders temporal verse in vivid visual meter turning his gestural impasto, his colpo di pennello into synesthetic strokes of cryptic visual poetry. His spontaneous mark-making, imbued with pathos and sprezzatura, belies a disciplined architecture of form, rhythm, and inner symbolism learnt & carefully perfected over 3 decades of meditation on his craft. If style is indeed morality, then surely his ever-evolving unique sensibility must emanate from the depths of the inner being, Each canvas reflecting truer impressions of life born out of keen observation & deeper study, as projected from the soul, cleverly & skilfully woven into form & taste. To gaze upon his work is not to merely look but to surrender, to be entrained into a liminal realm where colour becomes incantation and narrative slips into myth. Therefore, Be Warned! The viewer, once ensnared, becomes both spectator and participant in a richly orchestrated deception of the senses. Proceed, then, not with idle curiosity, but with the reverence of one entering a sacred, perilous cave of revelation.”

- SD -

“Untitled” | 2020 | Oil on Canvas | 1’ x 3’

A Landscape Study of Hampstead Heath, London

Caving into the depths of a 3 Decade long oeuvre.

Arjuna’s

SketchBook Practice

Arjuna’s professional studio methodology involves maintaining a varied set of sketchbooks he has continued since his formative days. Such practice includes en plein air Observational Study Journals or urban & rural landscapes, and daily Artist’s Journals (especially the COVID-19 Journal made drawing on the minutiae of the lockdown experience).

Living Room | 2020 | COVID Journal

Arjuna’s Covid-19 Lockdown SketchBook was exhibited at Christie’s

Paddington | 2020 | Urban Study Journal

Speechless | 2023 Journal

Hampstead Heath | 2022

Outdoor Study Journal

Timath | 2020

COVID Journal

Drawings, Studies & Charcoal

Arjuna’s Studies of Plein air Sketches

“Colour Man II” | 2018 | Pastel on Paper | 14” x 16”

Pastels

“Hampstead Heath” | 2018 | Pastel on Paper | 14” x 16”

Arjuna’s Pastel Works

Arjuna’s

Arjuna’s style has evolved over time.

These bubbles

Miniature Paintings

After studying Mughal Miniature Painting (2004) at Beaconhouse National University, Lahore, Pakistan - Arjuna has produced a few collections in Miniature form, successfully adapting them into his contemporary aesthetic. His primary Miniature Character Study Collection: “The Modern-Colonial (The Well-Mind)” was produced using special Pigment on Wasli Paper Hand-Made in Lahore Pakistan using Ancient Papyri making methods.

Wasli

is a special Hand-Mader paper derived

His other collection of Miniatures was drawn for a collection of paintings made for a limited publication, printed on a special Hand-Made Paper in Sri Lanka.

Water-Colour

Colour Pencil & Ink Pen

Acrylic & Pigment Pen

Oils

Etchings

Sculptures & Installations

IMG_3555.jpg

- Garden of Kinship -

2021 to Present

Ink & Pigment Pen on Paper

59.2” x 46”

Arjuna’s World

Ponder’s End Studio

Arjuna’s Fine Art Studio is based in Ponders End, Enfield, North London.

Where he

in-situ

A Career Spanning 3 Decades of Introspective Meditation in Colour & Form

King Charles III’s Coronation Commission

Arjuna Gunarathne was commissioned by His Majesty the King of the United Kingdom, King Charles III, for the Coronation.

King Charles III and Arjuna Gunarathne at the “Missing You” Art Exhibition at Windsor Castle

Joyous Celebration

Mixed Medium, Pen & Ink on Paper | 90cm x 120cm | 2023

Exhibited at the St. James’s Palace in 2022

Christie’s

Royal Drawing School

“Best of the Drawing Year 2018”

Exhibition & Sale held at Christie’s London Galleries & Auction House at St James’s.

Arjuna Gunarathne is the first & only artist of Sri Lankan origin to exhibit at the historic Christie’s London Showroom, where the first fine art auction took place in 1766.

Airborne

Soft Pastel on Paper

16.5” x 23.4”

2018

Exhibitions & Shows

Upcoming

Royal Institute of Painters in Water Colours

213th Spring Exhibition

26 Mar 2025 - 5 Apr 2025 - 10am to 5pm

The Mall Galleries: North, East and West Galleries

RECENT

News

from Arjuna Fine Art Studio

News • from Arjuna Fine Art Studio •

RI 213th Spring Exhibition

Arjuna Gunarathne has won the

  • "Beautiful Art Requires a Beautiful Man."

    - From ‘A Beautiful Fakir of Meditative Neo-Impressionism’ Essay by Sanjay Dalugoda.

  • Maybe you want to launch a business

    Quote Source

  • Maybe you want to turn a hobby into something more

    Quote Source

  • Maybe you have a creative project to share with the world

    Quote Source

Nectar

Blog

(Amurta)

Nectar (Amurta) is the essence of Arjuna’s artistic practice.

It is published by Arjuna Fine Art Studio Press, containing his own thought & discourse, and relevant critical interpretations. The Publication is Edited by Arjuna himself and will occasionally be published in print.

Shop Prints

Buy Original Limited Edition Special Prints of Arjuna’s selected works.

Available only at our Web Store for a Limited Time.